https://www.catierutledge.com/paintingsdrawings daily 0.75 2018-03-24 https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521761834395-CU2OL3I45Q6CBNIE4RXX/Prince_1999.jpg Paintings/Drawings - Prince - 1999 2017-2018. Oil paint on Yupo paper. 12.375" x 12.375" https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521761834395-CU2OL3I45Q6CBNIE4RXX/Prince_1999.jpg Paintings/Drawings - Prince - 1999 2017-2018. Oil paint on Yupo paper. 12.375" x 12.375" https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521761910564-HHSTZDOTBNTBLLWF81AY/MCR_ThreeCheers2.jpg Paintings/Drawings - My Chemical Romance - Three Cheers for Sweet Revenge 2017. Oil paint on Yupo paper. 12.375" x 12.375" https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521761782810-XD2I7JUCUC868LXX96AT/Painting.jpg Paintings/Drawings - Untitled 2017. Acrylic, gel medium, pen and collage on canvas. 8" x 10" https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1520722957299-02B7TG80M0RUTVPVXY9H/URLovedBySoManyPplNeverGiveUpOnUrDreams.jpg Paintings/Drawings - Note to Self 2016. Watercolor and colored pencil on paper. https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521775362307-168W9TO58L3N57NQ8GQJ/Rutledge%2C+Catie_09.jpg Paintings/Drawings - Can't Stop Thinking About Fucking 2017. Oil paint on Kromekote paper. Each painting measures 26" x 40" https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521775390803-Y48P60CQGUDRPYQRBXFT/one_glove.jpg Paintings/Drawings - One Glove 2017. Oil paint on Kromekote paper. 26" x 40" https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521775410094-PYPJ67PEQ1TWA09QF21W/dont_worry_about_the_government.jpg Paintings/Drawings - Don't Worry About the Government 2017. Oil paint on Kromekote paper. 26" x 40" https://www.catierutledge.com/2018 daily 0.75 2013-08-26 https://www.catierutledge.com/2017 daily 0.75 2018-03-23 https://www.catierutledge.com/floor-piece-slow-burn daily 0.75 2022-09-10 https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521773995353-QU5DOZ0UMH8H157X27NE/_Z8A9417.jpg Floor Piece (Slow Burn) - Floor Piece (Slow Burn) 2018. Photo by Brittany Laurent. https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521773995353-QU5DOZ0UMH8H157X27NE/_Z8A9417.jpg Floor Piece (Slow Burn) - Floor Piece (Slow Burn) 2018. Photo by Brittany Laurent. https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521858831073-ZJWZ9PT30PFL429PFEEB/image-asset.jpeg Floor Piece (Slow Burn) - Floor Piece (Slow Burn) Floor Piece (Slow Burn) is a durational, movement-based work that positions the viewer as receiver of a confrontational gaze and helpless witness to a body struggling to remain upright. The work seeks to disquiet the viewer by using costume that references fetish wear, intentionally slow and precarious movement, and materials that invoke the monstrous-feminine. https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521775007446-VSL3YCO254OL446RTUU8/RutledgeCatie_03.jpg Floor Piece (Slow Burn) - Floor Piece (Slow Burn) 2017. Still from documentation of 15 minute performance. https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521773947052-9LRXLGU9PJT5L2AJ8MNL/_Z8A9417.jpg Floor Piece (Slow Burn) https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521774706195-HE9PCMPRKJIKYHEQVD5D/WabashWindowPoem-2ndShoot.jpg Floor Piece (Slow Burn) - Floor Piece (Slow Burn) 2018. Installed in Wabash Window at 37 S. Wabash Ave, Chicago, IL. https://www.catierutledge.com/lip-sync-series daily 0.75 2018-06-07 https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1528406110259-ARQFKFE55OISWB8V1T8Y/13-lipsyncIV.jpg Lip Sync Series - Lip Sync IV (...and it felt like a kiss) (1 of 3) The Lip Sync series uses the act of lip syncing as a tool for exploring personal traumas and things left unspoken, making the invisible visible. - “Lip Sync IV” is a performance created for the camera. It involves both myself and my ex boyfriend applying lipstick and then using our mouths to write secrets on each other’s bodies. The work was created as a means to examine the idea of intimacy in a romantic relationship, and ultimately brought unsettling feelings to the surface. https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1528406110259-ARQFKFE55OISWB8V1T8Y/13-lipsyncIV.jpg Lip Sync Series - Lip Sync IV (...and it felt like a kiss) (1 of 3) The Lip Sync series uses the act of lip syncing as a tool for exploring personal traumas and things left unspoken, making the invisible visible. - “Lip Sync IV” is a performance created for the camera. It involves both myself and my ex boyfriend applying lipstick and then using our mouths to write secrets on each other’s bodies. The work was created as a means to examine the idea of intimacy in a romantic relationship, and ultimately brought unsettling feelings to the surface. https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1528406080691-L44V0ZE8QFSMUJ23PRNG/13-lipsyncIV-2.jpg Lip Sync Series - Lip Sync IV (...and it felt like a kiss) (2 of 3) The Lip Sync series uses the act of lip syncing as a tool for exploring personal traumas and things left unspoken, making the invisible visible. - “Lip Sync IV” is a performance created for the camera. It involves both myself and my ex boyfriend applying lipstick and then using our mouths to write secrets on each other’s bodies. The work was created as a means to examine the idea of intimacy in a romantic relationship, and ultimately brought unsettling feelings to the surface. https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1528406091455-LIBKFBVAU05BW9RD9EF3/13-lipsyncIV-4.jpg Lip Sync Series - Lip Sync IV (...and it felt like a kiss) (3 of 3) The Lip Sync series uses the act of lip syncing as a tool for exploring personal traumas and things left unspoken, making the invisible visible. - “Lip Sync IV” is a performance created for the camera. It involves both myself and my ex boyfriend applying lipstick and then using our mouths to write secrets on each other’s bodies. The work was created as a means to examine the idea of intimacy in a romantic relationship, and ultimately brought unsettling feelings to the surface. https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1528405998095-774KGPV5R5JZGAOSZKM9/image-asset.jpeg Lip Sync Series - Lip Sync V (Daddy) Poem: "Daddy" by Sylvia Plath In "Lip Sync V (Daddy)," I use my lips as a tool for mark-making in a futile attempt to communicate the immense pain that the suicide of my father has caused me. Although my lips are moving, it is difficult to make out what is being said, and eventually the marks left by the lipstick almost completely obscure my face. https://static1.squarespace.com/static/5aa43022f7939292b7c3c6b3/5ab4747d2b6a289b6717a51d/5b199fed1c8655a12f5461ac/1528405952863/ Lip Sync Series https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1528406145419-1Q1IKMQCK340UPAS2NEU/image-asset.jpeg Lip Sync Series - Lipsync VI (You should learn how to say no) The Lip Sync series uses the act of lip syncing as a tool for exploring personal traumas and things left unspoken, making the invisible visible. - Lip Sync VI is a site-specific performance that uses the performers mouth as a mark-making tool in order to speak obliquely about both seen and unseen campus rape and sexual assault. The piece includes both the act of reclamation and the artifact of that act. The performer will walk down Langdon and State Streets, located in Madison, WI, listening to a playlist of songs of her own creation that reference assault. As she listens, she reacts to the music by applying red lipstick and then pressing her mouth up against an exterior surface, lip syncing parts of the songs across buildings and storefront windows. The intimacy of what appears to be a kiss is given new meaning when the performer begins to drag her lips across the building’s exterior. The performance continues until the playlist has cycled through once. The work is inspired by the image left by the body in Body Tracks by Ana Mendieta, as well as more directly political pieces like Three Weeks in May by Suzanne Lacy, or Rape Scene, also by Ana Mendieta. Similar to Body Tracks, the act elicits an immediate and emotional response in the viewer. The content of the piece references feminist works like Three Weeks in May or Rape Scene, but being wordless, mimics the silence a victim can feel in confronting their individual experiece. The artifact that remains after the action continues to exist as a reminder of the countless acts of violence committed against women in the Madison area. https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1528406500319-KODURH0HVD2CDFQCBC4N/IMG_0970.jpg Lip Sync Series - Lip Sync VII (Wound) (After Ana Mendieta) The work as installation appropriates Ana Mendieta’s gesture in “Body Tracks” using lipstick rubbed on my hands. The violence of Mendieta’s gesture can be read through her forced relocation as a child and with the knowledge that another work, “Rape Scene,” was created around the same time. I appropriate the violence of that gesture in an attempt to make visible the effect my father’s suicide has had on my life. For the performance, I remove my father’s shirt from the wall and spread it on the floor before the audience. Applying the lipstick that was displayed beneath my father’s shirt, I use my mouth to transfer the words from the poem I had written about his death onto the shirt in front of me. Once the entire poem has been transferred to the shirt, I nail the shirt to the wall between the handprints. https://www.catierutledge.com/ritual-shaving daily 0.75 2018-06-07 https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1528406755577-676DGGQ7CEK2NQ1AF97D/Ritual_Shaving_I.jpg Ritual Shaving - Ritual Shaving No. 1 “Ritual Shaving No. 1” takes place in Library Mall in Madison, WI. In the piece, I shave my armpits and my legs in a central public location. My intentions were to bring a private female beauty ritual into a bustling public area. A few people helped me shave, and some remarked that they “didn’t want to see that” or asked if I was a feminist. Even though I intentionally made myself the object, or the “looked at” in this piece, I also was able to gaze back at those staring at me. “Ritual Shaving No. 1” was my first performance piece, and marked the beginning of a radical change in my artistic practice. https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1528406755577-676DGGQ7CEK2NQ1AF97D/Ritual_Shaving_I.jpg Ritual Shaving - Ritual Shaving No. 1 “Ritual Shaving No. 1” takes place in Library Mall in Madison, WI. In the piece, I shave my armpits and my legs in a central public location. My intentions were to bring a private female beauty ritual into a bustling public area. A few people helped me shave, and some remarked that they “didn’t want to see that” or asked if I was a feminist. Even though I intentionally made myself the object, or the “looked at” in this piece, I also was able to gaze back at those staring at me. “Ritual Shaving No. 1” was my first performance piece, and marked the beginning of a radical change in my artistic practice. https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1528406854283-XHVBCXN568RNNVL7CIOB/Ritual_Shaving_II.jpg Ritual Shaving - Ritual Shaving No. 2 After filming myself shaving in a public place for "Ritual Shaving No. 1," I wanted to record myself shaving as I would in the privacy of my own bathroom. In contrast to "Ritual Shaving No. 1," "Ritual Shaving No. 2" exposes me completely. I shave my armpits and legs in a manner that is almost workman-like. The video lasts for roughly 17 minutes, or as long as it takes me to shave after a year of going without. The main focus of the video, however, is my naked female form. The act of shaving, requiring me to stand nude in front of a camera, makes me vulnerable to the viewer's gaze. To present my body in a video online is to invite comments on my physique, to make myself vulnerable to harassment. I’m interested in why my body invites sexual comments, even though I am not engaged in a sexual act. https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1528406640623-JJLOBR6D1TO1QMQQPVT1/image-asset.jpeg Ritual Shaving - Ritual Shaving No. 3 (Gallery edit) Ritual Shaving No. 3 is a continuation of Ritual Shavings 1 and 2. It takes place in Piazza della Signoria, in Florence, Italy. I chose to shave in front of the replica of the David statue that sits in front of the Palazzo Vecchio because the act of shaving is similarly statuesque. I was stopped by the Municipal Police mid-shave, and fined for what I later learned was a law preventing private acts of cleanliness in public places. While the work intended to be a comment on Western societies desire for women to be hairless, it instead illuminated the practices engaged in by the city of Florence to keep the homeless from shaving in public. https://static1.squarespace.com/static/5aa43022f7939292b7c3c6b3/5ab4748e1ae6cf2ed3842904/5b19a26faae29445a1c88444/1528406639578/ Ritual Shaving https://www.catierutledge.com/how-does-it-remain-how-can-i-hold-it daily 0.75 2018-03-23 https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521775904520-YCRJTCPF74Y9WCLGF6J4/1.JPG How does it remain? How can I hold it? https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521775904520-YCRJTCPF74Y9WCLGF6J4/1.JPG How does it remain? How can I hold it? https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521775909363-R2ELC6WWWBUCTRB5A71V/2.JPG How does it remain? How can I hold it? https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521775913374-YWS0M2COFUL9R2HR35XK/3.JPG How does it remain? How can I hold it? https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521775938169-AIVWK9OWA69L5KD0SX1R/4.JPG How does it remain? How can I hold it? https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521776482919-DRRJ6C7SES4BWDGEVCIW/image-asset.jpeg How does it remain? How can I hold it? - small things https://www.catierutledge.com/shes-always-in-my-hair daily 0.75 2023-01-31 https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521776429773-M89BWYGFYF0T8HSI5ZG7/Princeshirt.jpg She's Always in My Hair - She's Always in My Hair I use my hair, covered in purple hair dye, to paint the interior of a studio space while the song "She's Always in My Hair" by Prince plays on endless repeat. The work appropriates Janine Antoni's gesture from "Loving Care" and transforms it into an act of teenage bedroom singing. This work was performed in January 2018 at Ox-Bow in Saugatuck, MI. https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521776429773-M89BWYGFYF0T8HSI5ZG7/Princeshirt.jpg She's Always in My Hair - She's Always in My Hair I use my hair, covered in purple hair dye, to paint the interior of a studio space while the song "She's Always in My Hair" by Prince plays on endless repeat. The work appropriates Janine Antoni's gesture from "Loving Care" and transforms it into an act of teenage bedroom singing. This work was performed in January 2018 at Ox-Bow in Saugatuck, MI. https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521776808020-3BEOIA7UGM7HSPU9IRSS/Rutledge%2C+Catie_05.jpg She's Always in My Hair - She's Always in My Hair I use my hair, covered in purple hair dye, to paint the interior of a studio space while the song "She's Always in My Hair" by Prince plays on endless repeat. The work appropriates Janine Antoni's gesture from "Loving Care" and transforms it into an act of teenage bedroom singing. This work was performed in January 2018 at Ox-Bow in Saugatuck, MI. https://www.catierutledge.com/portfolio daily 0.75 2020-04-18 https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457024162806-XH03IVFMI26S05KB074J/31.jpg portfolio - Caravan In hac habitasse platea dictumst. Fusce eu erat tincidunt, dapibus sem scelerisque, dapibus nibh. Proin fringilla, est non fermentum cursus, elit nibh hendrerit velit, vitae congue neque augue sed odio. https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457024162806-XH03IVFMI26S05KB074J/31.jpg portfolio - Caravan In hac habitasse platea dictumst. Fusce eu erat tincidunt, dapibus sem scelerisque, dapibus nibh. Proin fringilla, est non fermentum cursus, elit nibh hendrerit velit, vitae congue neque augue sed odio. https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457034507462-JR4KZT5NAGZ87QILTAC6/28.jpg portfolio - Cliffs https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457031763440-E82H0LAZIG2XLL26AAY2/30.jpg portfolio - Dock https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457031553141-2EDGFCXBDANWD56XX4YY/76.jpg portfolio - Solitude https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457031906980-BVOFDIJSL7YE2U2DMUD0/16.jpg portfolio - Morning Fog II https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457031825066-V3EBUJH0IML6AK82T43U/80.jpg portfolio - Dive https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457032139359-ZKWD9I711OE2K2SMSHY8/97.jpg portfolio - Dry Fire https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457031682086-BIUEI6WPDYWKESP3YXHH/27.jpg portfolio - Morning Fog I https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457031630093-2WADUXNMOKPANBYFCUKY/96.jpg portfolio - Autumn https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457032067576-FPDEJ7CNVUO90W56XX0N/13.jpg portfolio - Yacht https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457024303952-E8OMFUNZVW3SJVA424ML/74.jpg portfolio - Minions https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457031995688-DIRQI4DDQ6K246BMK4CJ/52.jpg portfolio - Wood https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457024233961-13OQC2U6Z5U9NLKY87AH/25.jpg portfolio - Valley Fog https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457034945436-EUEYEHWWC8966HIIR7SN/29.jpg portfolio - Squad https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457034841481-DOYPXHBBXZFIVA7XEVQK/36.jpg portfolio - Risk https://images.squarespace-cdn.com/content/v1/56cddecb2b8ddeef8fbf9088/1457034849831-ZJJVL3M2HD4GGBU1BHR9/34.jpg portfolio - Lineup https://www.catierutledge.com/contact daily 0.75 2024-10-08 https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1521777741350-K4A728BY05VD5MLDLHWA/Rutledge%2C+Catie_06.jpg Contact https://www.catierutledge.com/about daily 0.75 2025-11-14 https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/ed9e63df-6031-4456-90ed-827c374dd5dc/IMG_7934.jpeg About https://www.catierutledge.com/imminent-collapse daily 0.75 2023-04-05 https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1598242217285-641JDSOOO1QAXHM7O3PG/Midshot-ipad+with+map+bg-0207.jpg IMMINENT COLLAPSE https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1598299756433-0RWX2Z8VZ1HLUXJPB8WI/clipboard-gif-smaller.gif IMMINENT COLLAPSE https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1598300786111-OHA91Y320LVFDVOHTAOP/full+scale+ipad+on+stand-9892.jpg IMMINENT COLLAPSE https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1598301207529-ACJM5B6F9PPZ83Y9WYIN/ipad+against+map+-+more+zoom-0191.jpg IMMINENT COLLAPSE https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1598304973668-DZ3VXKSWPCG937D3XKCO/IMMINENT+COLLAPSE+flame+GIF.gif IMMINENT COLLAPSE https://www.catierutledge.com/bedroom-pop daily 0.75 2021-03-07 https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1605233561092-H9MD22V1OOESV9BBEC5R/Rutledge_Catie_Bedroom+Pop_Performance.jpg Bedroom Pop https://images.squarespace-cdn.com/content/v1/5aa43022f7939292b7c3c6b3/1605233635755-W4SPKZZBI9VECK8319JJ/DSC06104.jpg Bedroom Pop 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